For entire generations, audiences have thought of a “haunted house” as a fairly singular idea: a creepy old house at the end of the street filled with musty old furniture and lots of dark spaces. Its paradigmatic representation has been cinematically cemented in classic and forgotten films alike, from THE HAUNTING OF HILL HOUSE to … Continue reading WHAT IS A HAUNTED HOUSE IN 2026? On Liminal Space, Kane Parsons’ BACKROOMS, and the Horror of the Uknown And Uncanny →